Through symbolic scenes, sometimes sombre, sometimes more colorful, this dance production explores multiple facets of the human condition. …Embodied by three women-sorcerers, sisters of destiny, the energy of the body unfolds in a mystical dance at once slow and earthly, that gradually transforms into a dynamic and aerial choreography.

Carried by a captivating visual and sound environment, the audience discovers the capable agility of the performers, who with the aid of long braids, amuse themselves playing with destiny.Virtual extensions of their bodies, these magnificent props are symbolic representations of the state of the souls of The Three Moires.

Hourglasses, witnesses of passing time, are omnipresent till the final ritual, inviting the audience to connect with their humanity. This sensitive and zany work will captivate young and old alike.

ARTISTIC DIRECTION AND STAGING 예술감독, 무대연출 : Morgane Le Tiec

CHOREOGRAPHY 안무 : Morgane Le Tiec in collaboration with the artist

SET DESIGN 세트디자인 : Bernard Langlois

COSTUMES 의상 :Morgane Le Tiec, Stéphanie Brochard, Mélanie Castonguay

LIGHTING 조명 : Julien St-Pierre

PHOTOGRAPHY 사진 : Mikaël Theimer

PLAYWRIGHT 대본 : Mathieu Leroux

Dancer 무용수 : Stéphanie Brochard, Caroline Namts, Vicky Gélineau

Blaise Borböen-Léonard

2022년 1월부터 수르소 댄스 컴퍼니의 예술 감독으로서 이끌어가고 있는 모르간 르티에크는 프랑스 출신으로 무용 교육을 받은 후 

퀘벡으로 이민하여, 라라라 휴먼 스텝스, 발레 재즈 드 몬트리올, 마리 슈이나르, 태양의 서커스 등 퀘벡의 유명 단체와 작업하였다. 

최근 작으로는 ‘모이라’와 '깃털의 이야기’라는 어린이와 가족 대상의 첫 두 작품을 창작하였다.

Morgane Le Tiec is the artistic director of the Sursaut Dance Company since January 2022. Native of France, Morgane did her dance training there, before coming to Quebec where she has danced with La La La Human Steps, the Ballets Jazz de Montréal, Marie Chouinard, and The Cirque du Soleil. During her performing career, Morgane developed her choreographic skills, and a number of her creations have been presented in Quebec.

Recently she created < Moïra > and < Tales of a feather > (incollaboration with Stéphanie Brochard), 

her first two works for young and family audiences.

Choreography: Sylvain Groud, Anthony Egea

Performance: Pedro Pauwels   

페드로 파웰스는 프랑스에서 활동하는 벨기에 출신 무용수이자 안무가이다. 1986년 칸의 Rosella Hightower International Dance Center에서 장학금을 받아 고전무용, 재즈무용, 현대무용, 무용 치료, 음악 이론 등의 익혔다.  

이후 여러 단체에서 다양한 무용작품 및 무용영화에 참여하고 협업하며 1990년  PePau 무용단을 창단하였다. 

Pedro Pauwels is a dancer and choreographer from Belgium. At the age of 19, he discovered dance and began his first classes at the Renate Peter School in Brussels. In 1986, he was awarded a scholarship to study at the Rosella Hightower International Dance Center in Cannes, where he took classes in classical, jazz, modern dance, therapy, and music theory. Later, he joined the Jeune Ballet International, where he worked on a contemporary repertoire and explored the works of Mathilde Monnier, Dominique Bagouet, Peter Goss, Jean-François Duroure, Viola Farber, and Bella Lewitsky.

In 1989, he joined the Karine Saporta Company, participating in several creations in 1989 and 1990, including "Les Taureaux de Chimène," and also took part in dance sequences for the films "Prospero’s Book" by Peter Greenaway and "Le Diable au corps" by Gérard Vergez. During the same period, he collaborated with the Alain Marty Company.

Starting from 1991, as a member of Odile Duboc's Contrejour Company, he contributed to the creation of "La Maison d’Espagne," the revival of "Repères," the development of a model for "Retours de scène," a piece for the Paris Opera Company (1992), and the creation of "Projet de la matière" (1993).

In 1990, alongside his work as a performer, he founded the PePau Company. In 1991, he presented his first choreography, "L’Insoupçonnée"

사람들은 미래의 한 장면을 보았다고 느끼는 데자뷰 현상을 겪고도 착각이라 생각하며 대수롭지 않게 넘깁니다. 

안무 Choreography 

박지윤 Park Jiyun

출연 Performance  

우정제 Woo Jeongje
정수현 Jeong Suhyeon
안지연 An Jiyeon

'윤슬(Yunseul)'은 '서로 다른 우리가 모여 새로운 파동을 만들어내며, 

반짝이는 물결들처럼 잔잔히, 때로는 격정적이게 나아간다'는 의미를 가진 무용단이다.

'Yunseul' is a dance company that means 

'us come together to create new waves, and move forward calmly and passionately like sparkling waves.'